Jakarta Fashion Week 2025 combines tradition with innovation

Written by Kezia Pribadi | Read in Indonesian

The premier fashion event Jakarta Fashion Week showcased the vibrant creativity and diverse cultural influences of Indonesia’s fashion Industry. This year, Jakarta Fashion Week celebrated innovation, sustainability and the rich heritage that defines the local scene, bringing together talented designers, fashion enthusiasts and industry professionals from around the globe. As we stepped into a new era of style, Jakarta Fashion Week 2025 promised to be a dynamic platform for emerging talents and established names alike.

Eclectic play on tradition and modernity

Bluesville

Bluesville stayed to its core and envisioned a collection that gave a nod to both Indonesian traditional artisanal values and urban wear. It collaborated with Blcoo_, a custom hand stitching artisan, to present sashiko and boro vintage varsity jackets. Bluesville’s runway was all about elaborations. How to take a trope–patchworks, embellishments–and develop them in greater details; such was seen on co-ordinated jacket and straight pants with multiple facades of patterns, an amalgamation of florals and pinstripes adorned with bronzed antique buttons detailing created an instant hit ensemble.

Danjyo Hiyoji

Danjyo Hiyoji was explorative with their debut of the “Wild Ones” collection. The show felt like a theatrical performance, opened with a drum band that took everyone’s attention and left them wanting more. Under expectant eyes, the models stepped out–decorated with tattoos all over their bodies, wearing distressed and oversized medium and light wash denim. Blue denim vest paired with metal chains on bare skin created a grungy punk rock look. Giving some twist to the classic jeans and button up combo, Danjyo Hiyoji added graphics to the shirt, completing the look with an oversized big pocket jacket and jorts.

The landscape they created was unpredictable in its undulations. The red thread of the entire collection remained in distorted denim with a touch of satire in rumbustious graphics. The collection was packed with silhouettes rendered in denim with a variety of finishes, from dark to light to faded, and ripped. Shredded seams and scratched surfaces mimicked the look of worn down carpeting. The duality of raw and refined, polished and gritty as the theme was a refreshing take on deconstruction and juxtaposition.

Demure Contemporary Wear

Shop At Velvet

Essentialism coursed through the veins of Shop At Velvet. The clothes were imbued with certain functions and assets to work in our everyday lives: how we adapt to changing scenarios and levels of formalities, such as work setting, evening events and a quick pick me up for lunch.

That resulted in a collection that more than meets the eye, as reflected in the fabric choices. It was lightness at the forefront, illustrious suede olive green co-ords and structured suit pants. Some pieces work as day to night wear, such as a black midi dress with detachable scarf slung over the shoulder for flair, or a matching denim blazer and jeans paired with a casual airy blouse.

Founded on work- and play-friendly minimalism, the collection was all about “less is more”. A neat blouse with an asymmetrical clean cut neckline alongside a sharply cut hemline were styled with a black pantsuit to add a touch of softness, while a sheer champagne skirt was worn over the pantsuit to add a necessary “savoury” element. Baggy cream trousers worn with a simple sheer tee and a floral boxy vest with a poncho-esque silhouette was excellent in emulating a subtle yet luxurious and powerful feel.

Drunk Dad In The Lobby

The eponymous label Drunk Dad In The Lobby by designer Raynard Randynata presented a sense of sensuality that can only be chalked up by understanding what being young and fresh means. The brand offered a wardrobe with nonchalant elegance, evocative of summer and great getaways. Their pieces were akin to a trove of hidden treasures with a timeless style that everyone can wear year after year without getting tired.

A grey vest top reminiscent of a sporty casual zip up was styled with wrap leather skirts with silver buckles, the contrast of texture and use of fabrics expressed yin and yang where two clashing personalities can coexist. The collection further took you on a journey of mindfulness and relaxation. Drunk Dad In The Lobby created a variety of unique and inspiring pieces. The straight forward button ups were reimagined with a higher neckline, billowing long sleeves towards the wrist and asymmetrical button placement. Bubble mini skirts were paired with multiple layers of long sleeves that peeked through just enough to show the varying colours on the neckline. Those were not just statements, but also a source of comfort and elegance.

Using breathable cotton textiles and colours that may be pragmatic but styled in a way that gives off the feeling of self expression and relaxation is what Drunk Dad In the Lobby is known for, and it permeated throughout the collection.

Drama in couture

Monica Ivena

There is nothing like the sumptuous escapism of Monica Ivena’s couture show. Laid out before us was her recipe for visual relaxation therapy. An array of beautiful soft and vibrant colours–sugar purples, pastel blues and green sorbets. The collection was indulgent and all the sequins and embroideries on the planet were lavishly poured over the collection.

The collection conveyed a regal feel and brilliance. Her creations inhabited a place of fantasy where there was only opulence and grandeur. Every gown was a tour of magnificent embroideries, appliques and embellishments. A tight-fitting dress had over-the-top orchids stitched with beads that reflected the light. The collection expressed easy romance and glamour. It was easy on the eyes; delicate yet so intricate. We had a line-up of mini dresses and ball gowns; embellished from top to bottom, complemented with stunning capes that reminded us of the extravagant tail of a peacock.

Lisa Ju

The new line-up included luxurious organza, lush draping, a plethora of embellishments and sculptural silhouettes. Lisa Ju’s take on a mystique forest was breathtaking and bold. The designer, known for her grandeur design, took it up a notch with a cage crinoline dress made from sheer golden fabrics and embellishments all over that had the effect of tastefully exposing the foundation of the dress. The top of the dress looked like butterfly wings, while the bodice is clinched to the waist, creating a beautiful allure to the body.

Sculptural silhouettes boasting layers, drapes and curves took centre stage in Lisa Ju’s runway, masterfully incorporated into an array of floor-skimming gowns, arriving in shimmering gold and deep browns. The animalistic motif manifested in fur-esque knee high boots, co-ords that glistened just like fish scales and a regal overflowing cheetah print scape that reached the floor. Offsetting strong core elements such as cages, fringe beads and cosmic blacks were waist-fitting corsets, jewel embellishments and signature flowers converging like tapestry. Her exploration of boundless creativity was evident in the minute details that were put into each garment. The entire collection exuded glamour that struck like lightning.